Now, in Llandudno,
all the Angles are
slowly aging at the arcade.
What you wouldn't be forgiven
for forgetting again; The forests where
A, lebensrauming, came to die
over and over until they learnt
to do B in again and again and again.
Somewhere down the coast line there's
the tongue fluttering flames
like the spray of nails,
the fist full of history drying ;
muted, unfolding enmity.
The tongue, held in, itches.
Out there, in the cadaverous steel soup,
the seal heads are holy rising
again and again and again and again and again.
Thursday, 26 April 2012
Tuesday, 24 April 2012
This is history! [part two]
Wouldn’t you let me in where the coat gapes
to the clay pit where I found the snapped owl spine, scuppering gentil casuistry
We're doing magic and scraping away with the teaspoon
until the writing happens to be pristine. Glamour, spittle shined and scattered willfully
the steady head imperfected
I don’t want this any more: folded arms a shield; feathery blue veins at the foot.
I keep writing anyway
I keep writing anyway
There is a singing like fly shit spread across the roof of the mouth gathering at the fingers, tipped
The clay pit gives way to luscious prejudice here. How many historians coughed up the blond hairballs how many ached after knocking one too many off
Let down your hair your hair so that we may tell like wet eyed boys with our treachery wrapped up and bowed: our way through.
This is a body
This is a body
Made up of money
All stitched together
Stuffed with dead memos
Stepping out surely
Owning the pavement
With white teeth and hard on
Looking for nothing
Working a good word
And giving out signals
And tearing out secrets
And getting the picture
Giving up silence
And small words that matter
And slips of the wet tongue
And hurting of kisses
Taking a place
And making it matter
Crowned with the bruises
And soft tears of lovers
This is a body
Seamless in stitches
All put to order
Closed to each question
A ready made answer
An Apology
We are not going to the party although we thank you for the
invitation.
You have forgotten how we broke your mother’s ivory boat,
drank the old, old sherry and rolled in the ornamental grasses.
Tomorrow we will gather in the garden at around 3 o'clock and piss on the roses. This
is how we write our romances and teach you to love us the long, unsteady way.
There is nothing for you to understand. It may be that we
give you cause to smile or that you find a place for us in the gazette. There are things we are grateful for.
The secret is always in the other hand, the one behind
the back. We know what you think you know. This we allow you; a gift for
your trembling curiosity.
Please remember, dear heart, frail flower: we will never ever neglect you.
Saturday, 21 April 2012
Dry day adventure
My barbarous Sun
blurted out something like light
the sightless corrupter
making markers of each piece of
What bad work we do
we do in time
Some days ago the rapist drakes
gathered at the very point
to splinter the fine tracery of flight
and for this you hated god to silence
with interrogative jewels
Today I cling to father
by his Freudian slip
listening and not listening
and I want to rest
a cupped hand
behind his head
clean, steelblue air cradling:
post natal motives
and unwritten letters and the great dark
of the near disasters
Our tenderness:
Who trembles there, shifting
from each branch
eyes open and frayed
Scratched pictures fell
from pocket holes
to be dispersed as common signs
Let me tell you
there is no sacramental trail here
and so, we're clearing our woodland throat
for our blackbirded song
blurted out something like light
the sightless corrupter
making markers of each piece of
What bad work we do
we do in time
Some days ago the rapist drakes
gathered at the very point
to splinter the fine tracery of flight
and for this you hated god to silence
with interrogative jewels
Today I cling to father
by his Freudian slip
listening and not listening
and I want to rest
a cupped hand
behind his head
clean, steelblue air cradling:
post natal motives
and unwritten letters and the great dark
of the near disasters
Our tenderness:
Who trembles there, shifting
from each branch
eyes open and frayed
Scratched pictures fell
from pocket holes
to be dispersed as common signs
Let me tell you
there is no sacramental trail here
and so, we're clearing our woodland throat
for our blackbirded song
Coming of age
From slept sweetness
to the eaten quotidian face
From green curled sense
to each flower's tyranny
From homeless vocables
to our office lieder
From living, wetsexed nite
to seen and dying day
No more wandersongs
or crushed crowns
or glistening tips
or blood filled stops of skin
or unfinished laughter
or the leafing leaves
or fungal poetry
only the common and guarded
the homogenised milk
of human kindness
spilt across the body's electrics
till it sputters and
sparks and
arches one
last time
to the eaten quotidian face
From green curled sense
to each flower's tyranny
From homeless vocables
to our office lieder
From living, wetsexed nite
to seen and dying day
No more wandersongs
or crushed crowns
or glistening tips
or blood filled stops of skin
or unfinished laughter
or the leafing leaves
or fungal poetry
only the common and guarded
the homogenised milk
of human kindness
spilt across the body's electrics
till it sputters and
sparks and
arches one
last time
Small pieces (2002)
1.
There's said and unsaid.
In a room somewhere
somebody
pretends to sleep.
The windows
were wet with clouds.
Listen. Measured breaths.
6.
Objects hurt us.
Eyes are made
at the edge of
an arrangement, or
distance crumbles.
Some ends are
the next best things.
8.
You're here for now;
your little moments,
writ in big letters.
The tripped up story
gives way to
a slick history,
sequenced and shining.
13..
Your reason? maggots;
a rust accountant.
to learn how the world
turns and does not turn.
All things are clothed, then
one day all undressed.
You'll get shroud-hungry.
14.
Considered money;
a mouth opens,
dispensing coins.
The mint finish
of that speech wills
a world frozen
with idiot style.
15.
All doors are
opened to
this stuck mirror grin.
Your schtick is arch, ruled.
Living thinking sours
while your children
are educated.
16.
He wanted
to love her
in a certain way.
Certainly he burns.
I think that
it's better
to be cold.
19.
Every day
is laboured wishes
spun or struck as traps.
As if there was
a reason,
I saw you smile
as the whole street shrank.
26.
Kill this classic scheme
with fucked words.
We dribble. They stare.
A nature chatters
uncontrollably
while auditors
crack fingers, as if
28.
Babylon allows
for no nearness, love.
It'd rot us here,
where the words come out.
What jumps from our throats
are now Levite swords.
Chant down the whole grid.
These poems are taken from a pamphlet I wrote some time ago. There's minimal redrafting; it was hard to hold back as there were phrases that seemed a little gauche to me.
There's said and unsaid.
In a room somewhere
somebody
pretends to sleep.
The windows
were wet with clouds.
Listen. Measured breaths.
6.
Objects hurt us.
Eyes are made
at the edge of
an arrangement, or
distance crumbles.
Some ends are
the next best things.
8.
You're here for now;
your little moments,
writ in big letters.
The tripped up story
gives way to
a slick history,
sequenced and shining.
13..
Your reason? maggots;
a rust accountant.
to learn how the world
turns and does not turn.
All things are clothed, then
one day all undressed.
You'll get shroud-hungry.
14.
Considered money;
a mouth opens,
dispensing coins.
The mint finish
of that speech wills
a world frozen
with idiot style.
15.
All doors are
opened to
this stuck mirror grin.
Your schtick is arch, ruled.
Living thinking sours
while your children
are educated.
16.
He wanted
to love her
in a certain way.
Certainly he burns.
I think that
it's better
to be cold.
19.
Every day
is laboured wishes
spun or struck as traps.
As if there was
a reason,
I saw you smile
as the whole street shrank.
26.
Kill this classic scheme
with fucked words.
We dribble. They stare.
A nature chatters
uncontrollably
while auditors
crack fingers, as if
28.
Babylon allows
for no nearness, love.
It'd rot us here,
where the words come out.
What jumps from our throats
are now Levite swords.
Chant down the whole grid.
These poems are taken from a pamphlet I wrote some time ago. There's minimal redrafting; it was hard to hold back as there were phrases that seemed a little gauche to me.
Friday, 20 April 2012
Sonnet 007
Down, down we go as frosted thoughts gleam,
Spitting questions till everybody's gone
But the upstart boy, his unreal kisses
Thrown to empty stalls from his patch of light.
His cub scout hygiene shines like a new law.
The flesh falls soft from him; a red silk dress.
All alone, his thoughts stretch limbs and he laughs.
Till the cleared throat from the dark undoes him.
And this is how the theatre always goes:
Kicking out the punters, making spaces,
Some corner for a solitary fag.
The old bruiser's always there in the wings,
Waiting to make his omnipresence felt
And call halt to our solitary games
Spitting questions till everybody's gone
But the upstart boy, his unreal kisses
Thrown to empty stalls from his patch of light.
His cub scout hygiene shines like a new law.
The flesh falls soft from him; a red silk dress.
All alone, his thoughts stretch limbs and he laughs.
Till the cleared throat from the dark undoes him.
And this is how the theatre always goes:
Kicking out the punters, making spaces,
Some corner for a solitary fag.
The old bruiser's always there in the wings,
Waiting to make his omnipresence felt
And call halt to our solitary games
Thursday, 19 April 2012
Don't you go telling, second draft
little blue books
tucked beneath the skin
will tell out the hurts
(like nobody knew)
they patterned us with
What I did.
What I did to you.
What I did I did to you.
Another gift with the surprise poured out.
forever, we clouding the air
with gracious smiles
pretending to forgive and
working
at our fine stitching
Should we ever shake free
(us skittery birds)
hunger would show plainly
And the jittery senses
are like crooked flowers
blooming semen strings
willow thin and clingy
Let the lovely bruises be.
We are the map of uneven pressures
and mattered delight
Our arthritic tongues quiver close to words
because we cannot be bored
The sun is cruel to everyone
curing us as accidental meat
stripping us of thumb prints
fixing the toothy grin
We'll throw the rope to the raggedy shore
on the raggedy shore we'll sail no more
stripping to our shivering coordinates
before the energy of almost there
a bleeding and corrosive light
Let all the blue books everywhere
burn up to the fine silver ash
that waits for the green tips
of our paysan fingers
to dip in
Now love, let’s you and I be friends
and shake our dirty hands
tucked beneath the skin
will tell out the hurts
(like nobody knew)
they patterned us with
What I did.
What I did to you.
What I did I did to you.
Another gift with the surprise poured out.
forever, we clouding the air
with gracious smiles
pretending to forgive and
working
at our fine stitching
Should we ever shake free
(us skittery birds)
hunger would show plainly
And the jittery senses
are like crooked flowers
blooming semen strings
willow thin and clingy
Let the lovely bruises be.
We are the map of uneven pressures
and mattered delight
Our arthritic tongues quiver close to words
because we cannot be bored
The sun is cruel to everyone
curing us as accidental meat
stripping us of thumb prints
fixing the toothy grin
We'll throw the rope to the raggedy shore
on the raggedy shore we'll sail no more
stripping to our shivering coordinates
before the energy of almost there
a bleeding and corrosive light
Let all the blue books everywhere
burn up to the fine silver ash
that waits for the green tips
of our paysan fingers
to dip in
Now love, let’s you and I be friends
and shake our dirty hands
Sonnet 006
The bleak heap of stops and starts you sit on;
It won't stop growing. This is called a life.
Allfather, hunched and hid in the shadows,
Swallows your thrown words and laughs like a wall,
Forgiving nothing, taking it all in.
No place for you to stand and yet you do,
Trembling with facticity and bad light.
Why are you here? You're nobody's answer.
You are a piece of burning information,
A nugatory sheet of rotten codes.
The umbilical grip of history
Holds you to other people’s promises.
Pressing yourself forward, you’re pulled back hard
To the bleak heap, the ache of yet again.
It won't stop growing. This is called a life.
Allfather, hunched and hid in the shadows,
Swallows your thrown words and laughs like a wall,
Forgiving nothing, taking it all in.
No place for you to stand and yet you do,
Trembling with facticity and bad light.
Why are you here? You're nobody's answer.
You are a piece of burning information,
A nugatory sheet of rotten codes.
The umbilical grip of history
Holds you to other people’s promises.
Pressing yourself forward, you’re pulled back hard
To the bleak heap, the ache of yet again.
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